Sunday, December 28, 2014

2-1/2 Hours From Penn Square: Xu Bing’s Phoenix of Beauty, Power and Wonder

Some great art dazzles us with its beauty; some astonishes us with the power of its message.  Only intermittently do both qualities come together in a single work, and then the effect is transcendent.

So we should all rejoice that New York’s Cathedral of St. John the Divine, on Morningside Heights, has extended through February the exhibition of one of the most arrestingly beautiful and meaningful sculptures of our time: Xu Bing’s Phoenix.

Hung from the nave of one of the world’s grandest sacred chambers, the piece is a feast of imagination and a call to consciousness: a pair of flying dragons from Chinese mythology, 100 and 90 feet respectively, assembled entirely from the construction detritus of a major commercial office development in Beijing.

Aloft within the cathedral’s vastness, amid the sequoian columns, vaulted ceilings and stained-glass tableaux of Biblical imagery, silently fly these two fierce and noble creatures composed of tiles, tools, wire, ventilator hoods, machine parts, rebar, fasteners and fittings – all festooned with light-emitting diodes.


Commissioned to create a monumental sculpture as a signature for the massive, Cesar Pelli-designed Beijing World Financial Center, Xu, a MacArthur fellow who divides his time between the United States and his native China, was as deeply affected by the have-and-have-not conditions of China’s emergence, as by the commercial demands of the building project.

His dragon-birds capture both the high-voltage dynamism of the new China, and the terrible costs it extracts on the people and environment of the world’s biggest country.  The artist himself explained: "The phoenix of today's China bears countless scars; it has lived through hardship.  But it has adorned itself with great self-respect."
Xu Bing

When he assembled Phoenix at the building site, the developers wanted him to sanitize and soften the mixed message by giving it a facelift with a coating of crystals to make the birds shimmer like sequined ballerinas.

Xu would have none of it, and, to his great good fortune and America’s, Taiwanese tech tycoon Barry Lam financed the purchase and transport of Phoenix to the contemporary art museum Mass MoCA, in North Adams, Massachusetts.

Original plans had the work returning to its home in the Berkshires at the end of this year, but New Yorkers have been given an extra few months of viewing time.  Anyone with an opportunity to see and experience this 21st Century masterwork would be remiss not to do so.


Get up and go:  The Cathedral of St. John the Divine is located at Amsterdam Avenue and W. 112th Street.  Take the #1 subway to 116th Street-Columbia University.  Hours are 7:30 am to 6 pm, and admission is without charge.  Across Amsterdam Avenue a block to the south are The Hungarian Pastry Shop and V&T’s pizzeria/restaurant, both legendary for the generations of Columbia students who plant themselves there for hours of reading, writing and noshing.  On W. 106th Street is Culinaria Gastronomia, an extraordinary Italian restaurant.

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